November is busy this year. The list of shows opening are quite a sight over the next two months. So buckle up, sit back and let us show you what’s in store for the last two months of 2018.
November is being ruled by plays. The good stagy kind. We all dreamt of saving the world some day, or at least that piece of greenery around the trees next to the tube. So we’re calling all of you proud eccentric life lovers out there; come and check out how it’s done with the RSC’s new production of Don Quixote. Let us all head off on a rumbustious quest, on a hilarious journey across medieval Spain, defending the helpless and vanquishing the wicked. Chivalry has never been funnier. Join our two heroes on their quest while hopelessly unprepared and increasingly losing their grip on reality, with each calamitous adventure the two hapless heroes experience, the romantic ideal of Quixote͛s books seems further away than ever. Based on the book by Miguel Servantes, this brilliant stage adaptation will tickle your peach and have you see windmills in a completely different light. Prices start from as little as £12.50. So grab your lance and sword, we’ll see you there.
The Pinter season keeps going and with it’s third and fourth part is introducing great names to the stage. Penelope Wilson will you the cast of THREE for a limited time of performances and she is joined by tour de force ladies Temsin Greig and Meera Syal while Lee Evans is coming out of retirement specifically to play some of his favourite monologues by Harold Pinter.
Phyllis Logan (Downton Abby) is coming back to the West End in a spellbinding thriller. Switzerland is all what you need for a chilling night out this autumn and winter. 1995, the Swiss Alps. Patricia Highsmith, the queen of the thriller, now ageing and ailing, hides away in her study, surrounded by her collection of books and antique weaponry. She’s finding solace in her seclusion, her cats and cigarettes. Vitriolic, bigoted and alcoholic, her eccentricities are the stuff of legend. A polished young man turns up, sent by her New York publisher to persuade the great writer to pen one final instalment of her best-selling series featuring the master manipulator, Tom Ripley. But as day breaks over the mountains, it becomes clear that the charming stranger is set on a far more sinister mission. Filled with razor-sharp dialogue, this chilling and sometimes hilarious two-hander unfolds into a gripping psychological thriller.
Caroline, or Change is the long anticipated musical the West End has been waiting for. Written by Tony Kushner, author of legendary play Angels in America, and with an exceptional, soaring score from Tony Award-winning Jeanine Tesori, Caroline, Or Change stars Sharon D. Clarke in an astonishing ‘virtuoso performance. To watch her seems a privilege’ (The Times).
Louisiana, 1963. Revolution is in the air, though not so much for Caroline, the poorly paid maid toiling endlessly in the sweltering basement of the Gellman household. It’s a fantastical, magical place amidst the piles of laundry and singing washing machines, especially for eight-year-old Noah Gellman who sneaks downstairs to see her whenever he can. Yet a simple gesture to leave more money in Caroline’s pocket is about to test who and how far the winds of change can ever really reach… opening for a strictly limited season at the Playhouse Theatre late November 2018.
Tennessee Williams’ rarely staged classic Summer And Smoke transfers to the West End due to popular demand. The production played a widely lauded run at the Almeida Theatre earlier in 2018, and now makes the move to the West End’s Duke of York’s Theatre. The full original cast reprise their roles. Set in small-town Mississippi, Summer And Smoke is an absorbing classic about love, loneliness and self-destruction, in which Alma, seemingly under the wings of an angel, meets John – and their worlds are turned upside down. Evoking the simmering passions of a sweltering summer, the duo soon find themselves trapped between fear, obligation – and their own sheer desire.
Guess who’s back in the West End? Kit Harington is back this winter, playing at the Vaudeville Theatre. He and Johnny Flynn star as warring brothers Austin and Lee in the West End Premiere of Pulitzer Prize-winner Sam Shepard’s ferociously funny, modern classic, True West. Austin is working on a movie script that he has sold to producer Saul Kimmer when Lee stumbles back in to his life. Never content to watch from the sidelines he pitches his own idea to Kimmer, an action which has far reaching consequences… Set in the searing heat of the Californian desert this critically acclaimed drama pits brother against brother as a family tears itself apart, exposing the cracks in the American Dream.
A hearty ‘Welcome Home’ to The Curious incident of the Dog in the Night-Time. The phenomenal play is back in the West End for a limited run at the Piccadilly Theatre, following an acclaimed UK and International tour. The play is based on Mark Haddon’s best-selling novel under the same title. Christopher, fifteen years old, stands beside Mrs Shears’ dead dog. It has been speared with a garden fork, it is seven minutes after midnight and Christopher is under suspicion. He records each fact in the book he is writing to solve the mystery of who murdered Wellington. He has an extraordinary brain, exceptional at maths while ill-equipped to interpret everyday life. He has never ventured alone beyond the end of his road, he detests being touched and he distrusts strangers. But his detective work, forbidden by his father, takes him on a frightening journey that upturns his world.
We have an autumn/ winter full of plays and we couldn’t be happier.
This is only the beginning.
Happy November, see you next month.